Past Productions
FALL 2010
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THE ARSONISTS | |
Director: |
Barbra French | |
Set Design: |
Wendy Karpuik | |
Lighting Design: |
Mike Taugher | |
Costume Design: |
Michelle Kuzilla-Spoor Tracy Paisley and Melissa Paulger |
|
Sound Design: |
Paul Tedeschini | |
SPRING 2010
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HMS PINAFORE | |
| Director: | Ross Desprez | |
| Set Design: | Leon Potter | |
| Lighting Design: | Mike Taugher | |
| Asst Lighting Design: | Spencer Sacht-Lund | |
Choreography: |
Geraldine Furrer | |
| Rehearsal Pianists: | Diane Pearson and Patrick Courtin | |
| Musical Director: | Greg Bush | |
FALL 2009
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THE BALCONY | |
| Director: | Leon Potter | |
| Set Design: | Mike Taugher | |
| Lighting Design: | Spencer Sacht-Lund | |
| Costume Design: | Michelle Kuzilla-Spoort, Melissa Paulger and Tracy Paisley |
|
| Sound Design: | Paul Tedeschini | |
| Video Design: | Tim Herron | |
| Choreography: | Millie Miller | |
SPRING 2009
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SUBURBAN MOTEL | |
| Director: | Ross Desprez | |
| Set Design: | THEA 350 (Set Design I) Students | |
| Lighting Design: | Tim Herron | |
| Costume Design: | Frannie Reside | |
| Sound Design: | Spencer Sacht-Lund | |
FALL 2008
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MACBETH | |
| Director: | Leon Potter | |
| Set Design: | Bill Adams | |
| Lighting Design: | Mike Taugher | |
| Costume Design: | Melissa Paulger | |
| Asst Costume Design: | Tracy Paisley and Michelle Kuzilla-Spoor |
|
| Sound Design: | Robin Boxwell | |
| Hair Design: | Richard Manning and Justin Jackson | |
Spring 2008
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OH WHAT A LOVELY WAR | |
| Director: | Ross Desprez | |
| Set Design: | Lisa Vezina | |
| Lighting Design: | Anthony Neary | |
| Costume Design: | Lisa Desprez | |
| Asst Costume Design: | Ashley Browning | |
| Sound Design: | Robin Boxwell | |
| Media Design: | Doug Stetar, Marni Stanley and Lori Sorensen |
|
| Musical Director: | Doug Dodd and Nico Rhodes | |
FALL 2007
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GOOD NIGHT DESDEMONA (GOOD MORNING JULIET) | |
| Director: | Leon Potter | |
| Set Design: | Mike Taugher | |
| Asst Set Design: | Lisa Vezina | |
| Lighting Design: | Tim Herron | |
| Costume Design: | Melissa Paulger | |
| Asst Costume Design: | Michelle Kuzilla-Spoor and Tracey Paisley |
|
| Sound Design: | Robin Boxwell | |
| Fight Director: | Robin Boxwell | |
SPRING 2007
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POWER | |
| Director: | Ross Desprez | |
| Asst Director: | Bahiyyih Egeli | |
| Video Design: | Doug Stetar | |
| Video Design Asst: | Lisa Vezina | |
| Set Design: | Mike Taugher | |
| Lighting Design: | Mike Taugher | |
| Costume Design: | Melissa Paulger | |
| Sound Design: | Robin Boxwell | |
| Additional Video: | Joey Malbon and Chris Alemany | |
Fall 2006
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TWELFTH NIGHT | |
| Director: | Gerry MacKay | |
| Set Design: | Janice Chiu | |
| Lighting Design: | Mike Taugher and Anthony Neary | |
| Costume Design: | Melissa Paulger Michelle Kuzilla-Spoor |
|
| Sound Design: | Robin Boxwell | |
| Musical Director: | Doug Dodd | |
Spring 2006
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ORESTEIA | |
| Director: | Eliza Gardiner | |
| Asst Director: | Manda Chelmak | |
| Set Design: | Leon Potter | |
| Lighting Design: | Mike Taugher | |
| Choreographer: | Taiya Curle | |
Costume and Mask Design: |
Melissa Paulger | |
Live Sound Created and Performed by: |
Ace Martens and Jordan Davies | |
| Vocal Coach: | Doug Dodd | |
Fall 2005
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THE CRUCIBLE | |
| Director: | Ross Desprez | |
| Set Design: | Bill Adams | |
| Lighting Design: | Mike Taugher | |
| Costume Design: | Erin Macklem | |
| Sound Design: | Robin Boxwell | |
Spring 2005
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3 ONE ACT PLAYS | |
| Director: | Lisel Luffenty | |
| Set Design: | Erin MacKlem | |
| Lighting Design: | Mike Taugher | |
| Costume Design: | Erin MacKlem | |
| Sound Design: | Robin Boswell | |
Fall 2004
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A MIDSUMMER’S NIGHT DREAM | |
| Director: | Ross Desprez | |
| Set / Lighting Design: | Mike Taugher | |
| Costume Design: | Erin Macklem | |
| Sound Design: | Robin Boxwell | |
| Scenic Artist: | Dale Shultz | |
Spring 2004
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UNITY 1918 | |
| Director: | Nelson Gray | |
| Set Design: | Andreas Kahre | |
| Lighting Design: | Michael Taugher | |
| Costume Design: | Erin Macklem | |
| Sound Design: | Robin Boxwell | |
| Choral Arrangement: | J. Douglas Dodd | |
Fall 2003
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THE MERCHANT OF VENICE | |
| Director: | Ross Desprez | |
| Set Design: | Mike Taugher | |
| Lighting Design: | Mike Taugher | |
| Costume Design: | Mellisa Poulger | |
| Sound Design: | Robin Boxwell | |
Spring 2003
|
THE IMAGINARY INVALID | |
Director: |
Tony Bancroft/Russell Roberts |
|
Set Design: |
Catherine Hohn |
|
Lighting Design: |
Mike Taugher |
|
Costume Design: |
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Sound Design: |
Robin Boxwell |
|
Fall 2002
|
ANIMAL FARM | |
Director: |
Ross Desprez |
|
Set Design: |
Mike Taugher |
|
Lighting Design: |
Mike Taugher |
|
Costume Design: |
Catherine McIntosh |
|
Sound Design: |
Robin Boxwell |
|
Scenic Artist: |
Dale Schultz |
|
Spring 2002
|
TITANIC | |
Director: |
Tony Bancroft |
|
Set Design: |
Catherine Hahn |
|
Lighting Design: |
Mike Taugher |
|
Costume Design: |
Vivian Frow |
|
Sound Design: |
Robin Boxwell |
|
Musical Director: |
Bill Costin |
|
Fall 2001
|
HAMLET | |
Director: |
Ross Desprez |
|
Set / Lighting Design: |
Mike Taugher |
|
Costume Design: |
Vivien Frow |
|
Sound Design: |
Robin Boxwell |
|
Spring 2001
|
SHRINE OF THE SEA MONKEYS | |
Director: |
Tony Bancroft |
|
Set Design: |
Tim Crighton |
|
Lighting Design: |
Mike Taugher |
|
Costume Design: |
Juli Elkiw |
|
Spring 2000
|
A GOOD PERSON | |
Director: |
Tony Bancroft |
|
Book and Music: |
Ross Desprez |
|
Set/Lighting Design: |
Mike Taugher |
|
Costume Design: |
Lilly Visser |
|
Choreography: |
Holly Bright |
|
Musical Director: |
J. Douglas Dodd |
|
Fall 1999
|
SUBURBAN MOTEL | |
Director: |
Ross Desprez |
|
Set Design: |
David Roberts |
|
Lighting Design: |
Mike Taugher |
|
Costume Design: |
Lilly Visser |
|
Sound Design: |
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Spring 1999
|
SUBURBIA | |
Director: |
Tony Bancroft |
|
Set /Costume Design: |
Catherine Hahn |
|
Lighting Design: |
Mike Taugher |
|
Sound Design: |
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Fall 1998
|
THE TEMPEST | |
Director: |
Ross Desprez |
|
Set Design: |
Sam Whitington |
|
Lighting Design: |
Mike Taugher |
|
Costume Design: |
Karen Levis |
|
Sound Design: |
||
Spring 1998
|
HOTEL FREEDOM | |
Director: |
Tony Bancroft |
|
Set Design: |
Catherine Hahn and Molly March |
|
Costume Design: |
Catherine Hahn and Lily Visser |
|
Lighting Design: |
Mike Taugher |
|
Fall 1997
|
BILLY THE KID | |
Director: |
Ross Desprez |
|
Set Design: |
Ian Rye |
|
Costume Design: |
Roberta Doylend |
|
Lighting Design: |
Mike Taugher |
|
Asst Lighting Design: |
Jeff Osterlin |
|
Musical Director: |
Nils Skalin |
|
Music Composer: |
Ross Desprez (“Miss Angela” by O. Cruz) |
|
Asst Musical Director: |
Gaylen Mongeau |
|
Spring 1997
|
LES BELLES SOEURS | |
Director: |
Tony Bancroft |
|
Set/Costume Design: |
Catherine Hahn |
|
Lighting Design: |
Mike Taugher and Kerry Nolan |
|
Fall 1996
|
AS YOU LIKE IT | |
Director: |
Ross Desprez |
|
Set/Costume Design: |
Ian Rye |
|
Lighting Design: |
Mike Taugher |
|
Musical Director: |
Sam Mitchell |
|
Spring 1996
|
COUNTRY CHORALE | |
Director: |
Tony Bancroft |
|
Set Design: |
Tim Crighton |
|
Lighting Design: |
Mike Taugher |
|
Costume Design: |
Roberta Doylend |
|
Choreography: |
Trudy Forrest |
|
Musical Director: |
Bill Costin |
|
Fall 1995
|
OUR COUNTRY’S GOOD | |
Director: |
Ross Desprez |
|
Set/Costume Design: |
Ian Rye |
|
Lighting Design: |
Mike Bowen |
|
Spring 1995
|
LYSISTRATA | |
Director: |
Nick Hutchinson |
|
Set / Costume Design: |
Catherine Hahn |
|
Lighting Design: |
Mike Taugher |
|
Masks: |
Melodie Anderson |
|
Musical Director: |
J. Douglas Dodd |
|
Fall 1994
|
CURSE OF THE STARVING CLASS | |
Director: |
Tony Bancroft |
|
Set/ Lighting Design: |
Mike Taugher |
|
Costume Design: |
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Sound Design: |
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Musical Director: |
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Spring 1994
|
CITY OF ANGELS | |
Director: |
Tony Bancroft |
|
Set Design: |
Paul Williams |
|
Lighting Design: |
Mike Taugher |
|
Costume Design: |
Roberta Doylend |
|
Choreographer: |
Wendy Kellet |
|
Sound Design: |
||
Musical Director: |
Bill Costin |
|
Fall 1993
|
OUR TOWN | |
Director: |
Bonnie Gibson |
|
Set Design: |
Mike Taugher |
|
Lighting Design: |
Mike Taugher |
|
Costume Design: |
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Sound Design: |
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Spring 1993
|
DARK OF THE MOON | |
Director: |
Tony Bancroft |
|
Set Design: |
Tim Crighton |
|
Lighting Design: |
Mike Taugher |
|
Costume Design: |
Roberta Doylend |
|
Sound Design: |
||
Fall 1992
|
MRS. WARREN’S PROFESSION | |
Director: |
Anthony Holland |
|
Set Design: |
Paul Williams |
|
Lighting Design: |
Mike Taugher |
|
Costume Design: |
Roberta Doylend |
|
Sound Design: |
||
Spring 1992
|
SIX WAR YEARS | |
Director: |
Tony Bancroft |
|
Set Design: |
Tim Crighton |
|
Lighting Design: |
Mike Taugher |
|
Costume Design: |
||
Choreographer: |
Trudi Forest |
|
Sound Design: |
||
Musical Director: |
Bill Costin |
|
Fall 1991
Poster not available |
THE CARETAKER | |
Director: |
Catherine Caines |
|
Set / Lighting Design: |
Mike Taugher |
|
Costume Design: |
Roberta Doylend |
|
Sound Design: |
||
Spring 1991
|
TEN LOST YEARS | |
Director: |
Tony Bancroft |
|
Set Design: |
Tim Crighton |
|
Lighting Design: |
Mike Taugher |
|
Costume Design: |
Roberta Doylend |
|
Sound Design: |
||
Fall 1990
Poster not available |
WHAT THE BUTLER SAW | |
Director: |
Tony Bancroft |
|
Set Design: |
Paul Williams |
|
Lighting Design: |
Mike Taugher |
|
Costume Design: |
||
Sound Design: |
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Spring 1990
|
AT SEA | |
Playwright: |
Frank Moher |
|
Director: |
Tony Bancroft |
|
Set Design: |
Tim Crighton |
|
Lighting Design: |
Patrick Emery |
|
Costume Design: |
||
Sound Design: |
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Fall 1989
|
CRIMINALS IN LOVE | |
Director: |
Ray Michael |
|
Set Design: |
Paul Williams |
|
Lighting Design: |
Mike Taugher |
|
Costume Design: |
||
Sound Design: |
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Spring 1989
|
LITTLE SHOP OF HORRORS | |
Director: |
Tony Bancroft |
|
Set / Lighting Design: |
Paul Williams |
|
Costume Design: |
Christine Thomson |
|
Sound Design: |
||
Choreographer: |
Trudi Forrest |
|
Musical Director: |
Michael Ockzo |
|
Fall 1988
|
AND WHEN I WAKE | |
Director: |
Tom Kerr |
|
Design: |
Paul Williams |
|
Set Design: |
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Lighting Design: |
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Costume Design: |
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Sound Design: |
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Musical Director: |
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Spring 1988
|
GUYS AND DOLLS | |
Director: |
Tony Bancroft |
|
Set / Lighting Design: |
Paul Williams |
|
Costume Design: |
Christine Thomson |
|
Sound Design: |
||
Choreographer: |
Trudi Forrest |
|
Musical Director: |
Michael Oczko |
|
Fall 1987
|
THE FOREIGNER | |
Director: |
Tom Kerr |
|
Design: |
Paul Williams |
|
Set Design: |
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Lighting Design: |
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Costume Design: |
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Sound Director: |
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Spring 1987
|
GREASE | |
Director: |
Tony Bancroft |
|
Set / Lighting Design: |
Paul Williams |
|
Costume Design: |
Christine Thomson |
|
Sound Design: |
||
Choreographer: |
Trudi Forrest |
|
Musical Director: |
Michael Ockzo |
|
Fall 1986
Due to funding cuts from the government, the Theatre program was almost cancelled and there was no funding for productions. This show (for which there appears to be no information) was done on a zero budget by a few students as a noon hour project with Tony Bancroft who was the only faculty member left at the time. |
El Grande de Coca Cola | |
Director: |
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Set Design: |
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Lighting Design: |
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Costume Design: |
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Sound Design: |
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Musical Director: |
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Spring 1986
|
DEADWOOD DICK | |
Director: |
Tony Bancroft |
|
Design: |
Robin Field |
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Set Design: |
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Lighting Design: |
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Costume Design: |
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Sound Design: |
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Musical Director: |
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Fall 1985
|
LAST OF THE RED HOT LOVERS | |
Director: |
Tony Bancroft |
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Set Design: |
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Lighting Design: |
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Costume Design: |
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Sound Design: |
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Design: |
Molly March |
|
Musical Director: |
Michael Ockzo |
|
Spring 1985
|
THE 18TH ANNUAL WICKWIRE FAMILY BANQUET | |
Director: |
Tony Bancroft |
|
Design: |
Ron Fedoruk |
|
Set Design: |
||
| Lighting Design: | ||
| Costume Design: | ||
| Sound Design: | ||
| Musical Director: | ||
Fall 1984
|
PAPER WHEAT | |
Director: |
Leon Pownall |
|
Design: |
Neil Rutherford |
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Set Design: |
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Lighting Design: |
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Costume Design: |
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Sound Design: |
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Musical Director: |
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Spring 1984
|
TRIVIA DECEIT | |
Director: |
Leon Pownall |
|
Design: |
Neil Rutherford |
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Set Design: |
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Lighting Design: |
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Costume Design: |
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Sound Design: |
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Musical Director: |
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Fall 1983
|
TAMING OF THE SHREW | |
Director: |
Leon Pownall |
|
Design: |
Neil Rutherford |
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Set Design: |
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Lighting Design: |
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Costume Design: |
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Sound Design: |
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Musical Director: |
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Spring 1983
|
OH WHAT A LOVELY WAR | |
Director: |
Leon Pownall |
|
Design: |
Neil Rutherford |
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Set Design: |
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Lighting Design: |
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Costume Design: |
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Sound Design: |
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Musical Director: |
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Falll 1982
|
PLAY IT AGAIN SAM | |
Director: |
Tony Bancroft |
|
Design: |
Neil Rutherford |
|
Set Design: |
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Lighting Design: |
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Costume Design: |
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Sound Design: |
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Musical Director: |
Michael Oczko |
|
Spring 1982
|
WE TOO | |
Playwright: |
Jeremy Long and Phil Savath |
|
Director: |
Tony Bancroft |
|
Design: |
Neil Rutherford |
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Set Design: |
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Lighting Design: |
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Costume Design: |
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Sound Design: |
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Musical Director: |
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Fall 1981
|
MUCH ADO ABOUT NOTHING | |
Director: |
Nick Hutchinson |
|
Design: |
Neil Rutherford |
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Set Design: |
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Lighting Design: |
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Costume Design: |
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Sound Design: |
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Musical Director: |
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Spring 1981
Poster not available |
THE BALD SOPRANO | |
Director: |
Tony Bancroft |
|
Set Design: |
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Design: |
Neil Rutherford |
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Lighting Design: |
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Costume Design: |
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Sound Design: |
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Musical Director: |
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Spring 1981
Poster not available |
THE LONG CHRISTMAS DINNER | |
Director: |
Jacqueline Cecil |
|
Design: |
Neil Rutherford |
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Set Design: |
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Lighting Design: |
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Costume Design: |
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Sound Design: |
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Musical Director: |
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Fall 1980
|
EQUUS | |
Director: |
Jeremy Long |
|
Design: |
Neil Rutherford |
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Set Design: |
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Lighting Design: |
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Costume Design: |
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Sound Design: |
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Musical Director: |
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Fall 1980
|
LES BELLES SOEURS | |
Director: |
Jane Heyman |
|
Set / Lighting Design: |
Neil Rutherford |
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Costume Design: |
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Sound Design: |
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Musical Director: |
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Spring 1980
|
YOU’RE GONNA BE ALL RIGHT JAMIE BOY | |
Director: |
Tony Bancroft |
|
Design: |
Neil Rutherford |
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Set Design: |
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Lighting Design: |
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Costume Design: |
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Sound Design: |
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Musical Director: |
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Fall 1979
Poster not available |
TRAVESTIES | |
Director: |
Jeff Murray |
|
Set / Lighting Design: |
Neil Rutherford |
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Costume Design: |
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Sound Design: |
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Musical Director: |
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Spring 1979
|
THE BEGGAR’S OPERA | |
Director: |
Tony Bancroft |
|
Set/Lighting Design: |
Neil Rutherford |
|
Costume Design: |
Irene Pieper |
|
Sound Design: |
||
Musical Director: |
J. Douglas Dodd |
|
Fall 1978
Poster not available |
TWELFTH NIGHT | |
Director: |
Ed Brubaker |
|
Set /Lighting Design: |
Neil Rutherford |
|
Costume Design: |
Irene Pieper |
|
Sound Design: |
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Musical Director: |
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Spring 1978
Poster not available |
THE HOLLOW CROWN | |
Director: |
Fred Euringer |
|
Design: |
Neil Rutherford |
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Set Design: |
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Lighting Design: |
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Costume Design: |
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Sound Design: |
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Musical Director: |
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Spring 1978
|
DARK OF THE MOON | |
Director: |
Tony Bancroft |
|
Design: |
Neil Rutherford |
|
Set Design: |
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Lighting Design: |
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Costume Design: |
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Sound Design: |
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Musical Director: |
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Fall 1977
|
THE CHERRY ORCHARD | |
Director: |
Fred Euringer |
|
Set/Lighting Design: |
Neil Rutherford |
|
Costume Design: |
Irene Pieper |
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Sound Design: |
||
Musical Director: |
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Spring 1977
Poster not available |
ANTIGONE | |
Director: |
Mariko Vankampen |
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Set Design: |
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Lighting Design: |
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Costume Design: |
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Sound Design: |
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Musical Director: |
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Fall 1976
|
RING AROUND THE MOON | |
Director: |
Fred Euringer |
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Design: |
Robin Field |
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Set Design: |
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Lighting Design: |
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Costume Design: |
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Sound Design: |
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Musical Director: |
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